Carl Zeiss Ultron 50mm f1.8 is a lens for short-lived Zeiss Ikon Icarex line of cameras. Famous on the internet – it generally has good reviews and recommendations, so I wanted to try it for myself. It turned out to be one of my favourite vintage lenses. I use it a lot, taking it on trips to the mountains, forests, or just casual strolls in the park.  I also bought an M42 version too for comparison.

It’s difficult to pinpoint what makes the images captured by it so appealing. The resulting images have a unique rendering which is something difficult to express in words. The lens design is equally different; it uses a concave front element which is rare in lenses. 

This excellent review has dispelled the myth that this lens is better than newer lenses. Modern lenses beat this lens in pure sharpness, coma suppression, flare resistance, but this lens delivers a bucketload of vintage style, with which current well-corrected lenses cannot compete. 

Carl Zeiss 50mm f1.8
Carl Zeiss 50mm f1.8

Details & History

Albrecht W. Tronnier designed the Ultron 50mm f1.8 while working for Voigtländer AG, which filed the patent US3612663 for this lens design in 1969, and had it approved in 1971. After a short run, in 1972 the lens production ceased. Carl Zeiss (which owned Voigtländer) only made a few thousand lenses in Voigtländer plant, West Germany, which makes them quite rare. 

Lens diagram for Ultron 50mm f1.8 taken from the patent application

“Within this primarily Gauss type of double objective is the new system of the invention which in contrast with known techniques has a new type of forward component which terminates at its front end in an end surface which is not convexly curved in a forward direction toward a distant object so as to have a positive front end surface but instead has forwardly directed toward a distant object a concave front end surface which is dispersing and which in addition acts in an overcorrecting manner with respect to image errors.” – A. W. Tronnier et al.

This particular lens design makes it a unique and exciting lens to own for collectors and photographers alike. No other lenses utilise the same optical formula. Color-Ultron 50mm f1.8 succeeded this lens and was designed by Dr Erhard Glatzel. It had a slightly convex front element, as opposed to concave glass element present in this lens.

Carl Zeiss Ultron 50mm f1.8 Specifications

Focal length: 50mm
Aperture f1.8 – f16
Mount: Icarex BM / M42
Construction: 7 elements in 6 groups
Minimum focus distance: 45 cm
Focusing: Manual
Number of diaphragm blades: 5
Radioactive: No
Production run: 1968-1972
Made in: West Germany by Voigtländer for Carl Zeiss

With original cap and rubber hood
With original cap and rubber hood


Carl Zeiss Ultron 50mm f1.8 is a robust lens. The barrel and internal mechanisms are metal. It has survived for over 40 years of use and still performs well with a smooth and pleasant focus. There are five aperture blades, controlled by a step-free aperture control ring, which can be a bonus for videographers. 

Carl Zeiss 50mm f1.8 Mount
Carl Zeiss 50mm f1.8 Mount

For those with a physics interest — I have tested the lens for radioactivity. For better or for worse, I found that it does not contain any radioactive glass elements. I wonder how it would perform if it had some thoriated glass and multicoating. One can only dream.

The minimum focus distance of 45cm is quite beneficial for good closeup shots. 

Minimum Focus Distance
Minimum Focus Distance of 45cm


There are two versions of the Ultron — Icarex BM and M42. The M42 mount version is the latest and a more expensive model. They have the same optical formula, minimum focal distance, and other parameters. I have both versions and can’t see any differences in the images between the two.

I would buy the Icarex BM version because it is cheaper, but ensure that there is an appropriate adapter available for the camera body. 

Carl Zeiss 50mm f1.8
Carl Zeiss 50mm f1.8

Size and weight

Carl Zeiss Ultron f1.8 is quite small compared to other lenses and is easy to carry even with an adapter, and balances well on the camera. It does not feel light or flimsy when holding it and weighs 185 grams. 


It is on the expensive side, usually going for over £300 for a good quality Icarex BM sample (€350 / $400). M42 version can be up to £100 more. Limited production numbers and unique design makes this lens quite collectable. I luckily bought mine on eBay, so if you are interested, take a look

Compatibility / Adapters

The Icarex BM version was troublesome to adapt to my Canon EOS R. I bought a Kipon ICA35S to EOS R adapter but found that it does not depress the aperture pin on the lens, thus making aperture stuck open.  A significant problem with this particular adapter, so I would not recommend it for this lens.

I then tried an Icarex 35S to Canon EF adapter from eBay, which had a lip that depresses the pin and allows the aperture to work. However, when mounted on EOS RF to EF adapter, it shorts the contact pins and causes the camera to lock up. 

A little bit of duct tape (or any other non-metallic strong sticky tape) solves the problem – stick the tape on the adapter where the contacts touch it, and it will no longer short circuit the camera. I am glad my EOS R still functions after being short-circuited, so be warned.

M42 version has no such problems, as it works just like any other M42 lens, and there are plenty of adapters for the majority of camera mounts. 

Image Quality

It is purely subjective, but I like the images this lens takes. They have that beautiful 3D look to them. There is enough sharpness wide open (if the subject is right). When stopped down this lens is as good as modern lenses – sharp, contrasty, and with pleasing colours.

F1.8 – Somewhat sharp in the centre, but soft overall, with loss of contrast. Good for portraits.
F2.8-4 – Sharp and contrasty in the centre, improved sharpness in the edges.
F5.6-F8 – Everything is sharp and contrasty.
F11 and smaller – No improvement, starts to soften due to diffraction


  • Photos are sharp and have a unique character
  • Lightweight
  • Unusual lens design
  • Robust metal construction
  • A great tool for artistic photography


  • Expensive
  • Poor flare suppression
  • Difficult to find 
  • Difficult to find a suitable adapter for Icarex BM version


Carl Zeiss Ultron 50mm f1.8 is a pleasure to shoot with, and I will never sell it. It played an essential part in the history and evolution of Zeiss lenses and was designed by a legendary lens designer.  It’s very versatile as a walkaround lens. The only issue I had was finding an appropriate adapter and tweaking it to work correctly.

I would give an overall rating of 5 out of 5.

What was your experience with this lens? Please comment below!

Sample Images

Wide open at f1.8
Wide open at f1.8
Evening in Austria
Stopped down to about f4
This lens flares very easily
Stopped down to f2.8
I actually like this flare
Stopped down to f2.8
Picture of a plant
Wide open at f2.8
There are only 5 aperture blades
Five aperture blades visible in out of focus highlights
Japanese pear at minimum focus distance
At minimum focus distance
Objects appear to pop out of the picture
Stopped down to about f2.8
On a trip to Germany
Stopped down to about f2.8
On a trip to Wales
Stopped down a little
Girl with snow in the hair
Stopped down to f2.8
On a trip to Liechtenstein
Stopped down to f4
Stopped down to f2.8
Stopped down to f2.8
Watch out for the flare
Very prone to flare

7 Replies to “Carl Zeiss Ultron 50mm f1.8 Lens Review”

  1. Very nice review. I has been wondering whether to buy or not to buy given the price is relatively expensive (Similar price point compare to Leica R 50-Cron btw). After reading both sides of reviews, I decide to buy it. (Just finalise the purchase transaction.) That completes my M42 Zeiss-Voigtlander trio collection of Skoparex 3.4/35, Ultron 1.8/50 and Super-Dynarex 4/135.

    1. Amazing! Please let me know what you think of the lens when you get it! Now I want to try the Skoparex 3.4/35, and the Super-Dynarex 4/135 🙂 Thank you for your comment, means a lot to me.

  2. My dad bought a Zeiss Icarex 35S in ~1971 with the Ultron. I bought it used from him ~1975, and have had it since. It went through a period of non-use for 25-30 years, but I have pictures from the 1970s/1980s and today. I have rediscovered the lens, and really appreciate the rendering. At the time I first bought it, I thought it was a good lens (it was a Zeiss), but it did not have the kind of reputation it has today. I am glad I kept it!

    Here are some shots (old and new) taken with this lens:

  3. I bought this lens from my dad in 1975. I used it for many years, then put it away for many years, reviving it 2 years ago. I really like the way it renders, and am glad I kept it. You can see some Ultron shots from long ago as well as today on my Flickr account (linked as my website).

    1. Hi Mark, thank you for your contribution! Yeah, it does have a unique rendering – which I also really like. It has also dramatically shot up in price recently. It seems more people are starting to appreciate it more now 🙂

Leave a Reply

Your email address will not be published. Required fields are marked *